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|  | "Acting : A Handbook of the Stanislavski Method" Compiled by Toby Cole, with an introduction by Lee Strasberg (October 1995) Reset and redesigned to offer a fresh look, this is an essential, comprehensive guide to the art and science of acting, as taught by the creator and great teachers of the Stanislavski Method. A must read for all who are serious about acting.
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...And Justice For All (1979)
Al Pacino plays a Maryland lawyer who takes on a judicial system rife with dealmaking in this awkward blend of satire and sentimentality. Topical director Norman Jewison can't seem to help Pacino get comfortable with the mismatched material, which pushes the film into outrageousness at some turns and mawkishness at others. The script by Barry Levinson and Valerie Curtin is more an accumulation of random ideas and moments than a congruent story. However, it's interesting to see the large cast of good actors, most of whom hadn't become well known yet. (Christine Lahti made her film debut here.) Pacino gets to work for a second time (following The Godfather II) with acting mentor Lee Strasberg. --Tom Keogh --This text refers to the VHS Tape edition.
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 |  | The Cassandra Crossing (1977)
When a plague-infected terrorist, fleeing from the police, exposes the 1,000 riders of the Geneva to Stockholm Express, Colonel MacKenzie (Burt Lancaster) is called in to handle the situation. He locates a doctor aboard the train, Jonathan Chamberlain (Richard Harris) who, with his wife (Sophia Loren), finds the fugitive. They attempt to transfer him to a hovering helicopter, but fail, and the terrorist dies. To prevent the spread of the plague, Colonel MacKenzie directs the train to the Cassandra Crossing where it will plunge into oblivion, killing all aboard. At Nuremberg, the train is pumped with oxygen and the stricken passengers begin to recover. Dr. Chamberlain argues that they can be spared, but Colonel MacKenzie refuses, and as the train rushes toward the collapsing Cassandra Crossing bridge, Chamberlain struggles to disconnect the cars and save the passengers from their appointment with doom.
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|  | The Godfather, Part II (Widescreen Edition) (1974)
Francis Ford Coppola took some of the deep background from the life of Mafia chief Vito Corleone--the patriarch of Mario Puzo's bestselling novel The Godfather--and built around it a stunning sequel to his Oscar-winning, 1972 hit film. Robert De Niro plays Vito as a young Sicilian immigrant in turn-of-the-century New York City's Little Italy. Coppola weaves in and out of the story of Vito's transformation into a powerful crime figure, contrasting that evolution against efforts by son Michael Corleone to spread the family's business into pre-Castro Cuba. As memorable as the first film is, The Godfather II is an amazingly intricate, symmetrical tragedy that touches upon several chapters of 20th-century history and makes a strong case that our destinies are written long before we're born. This was De Niro's first introduction to a lot of filmgoers, and he makes an enormous impression. But even with him and a number of truly brilliant actors (including maestro Lee Strasberg), this is ultimately Pacino's film and a masterful performance. --Tom Keogh
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|  | Going in Style (1979) Three senior citizens in their 70s who live together are slowly decaying in endless days with nothing to do but feed the birds. One of them comes up with an idea - rob a bank. They certainly could use the money if they get away with it and if they are caught, what could happen to three old men?
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